A Basic Wardrobe for Napoleonic Soldiers' Wives
A working guide for new members of the 2/95th (Rifle) Regiment of Foot
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This guide is to assist the new female re-enactor who wishes to portray a soldier's wife in the period around 1809-15. The guide provides a recommended, researched set of inexpensive clothes and accessories which comprise the basic costume of soldiers' wives.
"Pyne's Microcosm [1806] showed the Army still being followed by wagons piled high with tents, furniture, women and children. Soldiers' wives still nursed the wounded, washed the soldiers' clothes, cooked their meals, dressed their pigtails and sang and danced with them, as well as watching them being killed in action. These raveling nurses, housewives, and washerwomen wore the usual plain dress [skirt, chemise and vest or bedgown] mob cap, kerchief and apron in summer, although winter would see the addition of hoods, cloaks, soldiers' coats, or blanket mantles." (De Marly page 79) |
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| A cook dressed in a bedgown held closed by her apron (von Boehn). Note the "round" style mob cap which is very common in sketches of ordinary women in the early 1800s. |
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Shift/Chemise This garment was worn next to the body. During the day it was under clothing and at night it was used to sleep in. The chemise was worn mid-calf or longer. Sleeves were below the elbow finishing in casing with drawstring. Re-enactors really need two shifts. Material: Linen or cotton (medium weight, not sheer) Colour: white Pattern: Eagle's View or Gilgun pages 42 - 44.
Skirts were simply constructed in two pieces of material (front and back) joined at the sides but leaving a nine inch opening at the top to allow access to pockets. The skirt was held in place with a ¾ inch waistband. The skirt was gathered or pleated into the waistband, or a drawstring could be used instead of the waistband. Length: period sketches show skirts stopping well short of the ankle - in modern-speak, about ¾ length, but longer than mid-calf. Surviving examples of skirts are about 110-120 inches around the lower hem. Material: wool, linen, less often cotton. Colour: dark blue is often recorded, but brown was also common. A variety of other colours would also have been available. Solid colours are recommended - patterns would have been used as well but not enough is known about them. Pattern: Eagle's View Patterns |
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Left shows skirt however women would have worn a bedgown or bodice and kerchief over the chemise. Apron on the right includes a bib, which was not typical of England.
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| When a skirt is a petticoat: The term petticoat was commonly used for a skirt until about 1800 - after then, it refers to an undergarment. (Garwood, page 322). This makes for confusion when reading about US War of Independence fashions. |
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Bedgown Bedgowns were jackets to the hip (or longer), usually fastened with ties (or pins but not buttons) down the front (de Marly, page 80). Found all across Britain and Wales, and still common in the countryside in 1850. Also known as jacket bodice and (perhaps) short gown.
Material: Linen, wool or cotton. For re-enactors, one in wool for winter, one in cotton for summer. Colours: plain or stripped material. Stripes on the arms should be horizontal rather than vertical down the arm. Blue was probably the most common colour. Pattern: Gilgun (page 45) - note that the most distinct change in style was that the sleeves became narrower and longer around 1800. Gilgun's pattern has the shorter belled sleeve ends. References: de Marly, page 80; Gilgun, page 40
A bodice or woman's vest was worn over a chemise. It is styled similar to a corset and, if made of firm wool, lined and tied snugly, gives much the same effect. Hip or waist length variants were worn. Laced at the front, or secured by ties. Material: Linen, wool or cotton. Colour: period pictures give few clues to colours or patterns. Colours for bedgowns might be a guide. Pattern: Eagle's View Patterns |
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| Milkmaid - early 1800s. Bedgown with rolled sleeves and probably coloured kerchief. In the background, a country market woman (Williams-Mitchell, page 73) | |
| The bodice debate: US War of Independence re-enactors are debating the appropriateness of bodices to their era (1775-82). Many groups ban them as being a latter day invention for the comfort of re-enactors. But observers in Great Britain note them being worn by country women in the summer, and period sketches and cartoons show them in towns in England and France. |
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Kerchief The kerchief is a large square of usually white cloth folded into a triangle to cover the shoulders. The points in front are tied or tucked in at the front. The average size is about 40 inches. Single thickness triangular kerchiefs are known for use in summer. Examples are sewn with a ¼ inch hem. Selvage edges are not hemmed. Colour: White is the most common. Yellow is recorded and other colours were probably used. Solid colours are likely to be the most common but stripes could have been used. Material: wool, linen, cotton, silk. |
Cotton and the re-enactor |
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Cloaks Cloaks were hooded or collared and worn for warmth.
Material: Wool with optional wool, cotton or linen lining Colours: Most common was red with blue being second most popular (Welsh). Other options - any plain colour with grey & brown also mentioned. Pattern: Gilgun. Cloaks for ordinary women are about the same length as skirts - about mid calf length (Gilgun 1993) though shorter examples are known (sometimes called mantles) |
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Apron
Aprons were simple garments and wide enough to cover most of the front of the skirt but not to cover the pocket slots. They were tied around the waist and the wrap around bedgown was held in place by the apron. Bibs were rare still in 1821 for English (Cunnington page 332).
English aprons did not have bibs in our period, but French aprons did. Bibs were still rare in England in 1821. (Cunnington page 332)
Material: linen or cotton but stripes or checks are all right. (Garwood page 16 & de Marly page 80)
Colour: white or blue Pattern: 32" to 45" wide, gathered or pleated at waist to tie band. Length 6" shorter than the skirt. 1/4" hem and selvage edges were not hemmed.
Mob Caps (and Hats)
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Mob caps were common for all classes by 1790. Working women wore it around the clock. · Larger versions were not necessarily covered by a hat when outdoors (de Marly, page 78). There were many variations. They could be circular in shape or fitted to the head like the examples here. Lappets (side pieces) should be short, if used - not much below the ear. Longer lappets (like Type A in the examples here) were more typical of the 1700s. Ties under the chin are optional. Mob caps were commonly white and, by the 1800s, cotton rather than linen would have been the preferred material (increasingly affordable and durable when washed frequently). Fitted versions are made in two pieces. The crown is gathered at the back. The band can have ruffles attached. A Fashion Statement: If you want to add colour or style to your costume, mob caps are an option. · They were small and cheap, and often followed upper class fashions. Straw hats were common. Working women had fabric bonnets (the poke bonnet look) - with much wider brims than fashionable bonnets (de Marly, page 78). |
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Stockings
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These were knee length or longer with garters used below the knee to hold them in place. Knitted or woven styles were both used. Fabric: cotton or wool Colour: red and white are specifically noted (Yarwood, page 396), however many others were likely to be acceptable. |
What to
start with While each of the items here is relatively simple to make, the list can be daunting at first sight. As an initial wardrobe, concentrate on getting a skirt, a chemise (or a soldier's shirt), and a kerchief. |
Pockets
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Pockets are large - 12-15 inches in length, 7-11 inches wide at the bottom and 2-5 inches at the top. They have a slit about 7-9 inches long on the front for reaching in. Single pockets are known but most are in pairs. Material: various fabrics and colours. Often common linen for the backing and a more expensive material on the front. Colours: Various. Many preserved examples are heavily embroidered. |
![]() A single pocket with ties |
Mittens or gloves
There are several styles including fabric mittens made from wool or knitted gloves which were commonly fingerless.
Bibliography
Books
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Cunnington, Phillis, Occupational Costume in England from the Eleventh Century to 1914. Adam and Charles Black, London, 1967 De Marly, Diana, Working Dress: a history of occupational clothing. B.T. Batsford, London 1986 Gehret, Ellen J., Rural Pennsylvania Clothing: being a study of the wearing apparel of the German and English Inhabitants both Men and Women who resided in Southeastern Pennsylvania in the late Eighteenth and Early Nineteenth Century. Liberty Cap Books, York. nd Gilgun, Beth, Tidings from the 18th Century. Scurlock Publishing, Texas 1993 Von Boehn, Max, Modes and manners of the 19th Century. Aver Co Pub, reprint 1972 Williams-Mitchell, Christobel, Dressed for the job: the story of occupational costume. Blandford Press, Dorset. nd Yarwood, Dorene, The Encyclopaedia of world costume. B.T. Batsford, London 1978 |
Web sites
Historical Maritime Society, 2001, 'Nelson and His Navy - Working Womens Dress', The Historical Maritime Society [online] www.hms.org.uk/nelsonsnavyworkinw.htm, accessed: 28/11/2002
18cNewEnglandLife clothing and accoutrements. 'Women's clothing' The Battle Road [online] www.18cnewenglandlife.org/women.html, accessed: 6/5/2002
First New Hampshire Regiment, 2003, 'Women's clothing for the 18th Century'. First New Hampshire Regiment [online] http://www.firstnhregiment.org/id52.htm, accessed: 14/10/2002
Patterns
Eagle's View Patterns can be purchased in Australia from Green River Rifle Works, Adelaide, SA.
Special thanks to the Curators at the Powerhouse Museum
This page is owned by David Sadler who can be contacted at: c-d-s-a-d-l-e-r(at)webone.com.au(without the dashes)